Language
Most local media abandoned the Russian-language versions of their websites at the height of the war. By the end of 2022, the share of Russian-language web pages had decreased by about 15% compared to the previous year. In 2023-2024, the situation stabilized - 8% of the media continued to support the Russian-language version of the site along with the main Ukrainian page. These mainly include media from the eastern and southern regions, where Russian-speaking content is demanded by the senior age population. At the same time, there is a positive trend in terms of content created in English. By the end of 2024, the share of local media having Ukrainian and English versions of the site increased to 8%, which is 5% more than last year.
Text formats
Reprints and rewrites in local media are increasing. The share of reprints of all content was 37% in 2023 and it increased to 41% in 2024. According to expert Andrii Dikhtiarenko, this may be due to mobilization-related resignation and worsening economic situation in the country. The inability to raise wages causes staff turnover in the media. At the same time, the editors are forced to maintain a high level of daily productivity. Under conditions of staff shortages, the result is both a general decline in the quality of content and an increase in the proportion of reprints to compensate for the lack of original stories.
This year, the most popular formats were news (95%) and interviews (92%). The format of longreads and articles is used by 87% of teams, and reports are created a little less often — by 78% of the media. Journalists tend to work on analytical pieces (67%) and investigations (43%). For the tenth part of the media investigations and analytics are entirely new formats. They have never worked with them before.
Investigation
The number of newsrooms working on investigations has almost tripled, from 22% in 2024 to 63% in 2025. On average, it takes between 3 weeks and 1 month to prepare one piece of that kind of material. This growth may be driven by a significant increase in foreign aid in the form of grants for the production of such content in 2023-2024. Investigations can lead to public outcry, even at the highest levels of government. As a result, funding organizations are more willing to support investigative journalism projects. This is how media adapt to the conditions of the grant support market, says Andrii Dikhtiarenko. Another likely factor is that media outlets are beginning to emerge from the shock of the invasion and are trying to analyze in depth what happened in the region.
It is important to note that the term "investigation" combines two fundamentally different types of content that require different professional skills: investigating the occupiers' war crimes (using OSINT tools) and anti-corruption investigations at the local level (which require an understanding of economic processes, work with documents, and access to information on procurement and tenders). Researcher expert Andrii Dikhtiarenko predicts a possible decrease in the number of investigations in 2025-2026 due to the expected decrease in donor support, which will allow assessing the media's actual capacity to work in this format.
Video formats

Photo: Andrii Dubchak / Frontliner. Slidstvo.info reporter Anastasiia Horpinchenko interviews the commander of the mortar unit of the 93rd Separate Mechanized Brigade, Chasiv Yar, Donetsk region, March 7, 2024
As predicted by the results of last year's report, the amount of video content has increased significantly — as of 2025, 93% of teams are engaged in video production, which is much more compared to 62% in 2024. Research expert Andrii Boborykin explains this growth the following way: First, it results from targeted project-based support for video production and/or the organization of video production in the newsroom. Depending on existing equipment and earmarked funds, it could be produced on a pretty high level. Second, it is the process of TV audiences going to YouTube as a result of news television fatigue.
Video monetization
Our experts, Andrii Boborykin and Andrii Dikhtiarenko, note that videos have quite high monetization potential. They believe that with declining website traffic and advertising revenues, video content has the potential to monetize through multiple channels:
crowdfunding and donations from the audience (more effective in video format because of the emotional connection with the audience);
advertising revenue from YouTube;
audience expansion (video can attract a wider audience compared to text formats);
launching an additional source of income (having their own technical equipment, the team can receive additional income through commercial filming of events or on-demand commercials.
The caveat is that not every newsroom will be able to create a sustainable business model around the video format. Boborykin predicts that after the period of intense donor support ends, about half of the media will be disappointed with the video format and will significantly reduce video production. Meanwhile, Dikhtiarenko is sure that the media, which still managed to find its "content formula" in the video format and establish monetization mechanisms, will continue to develop in this direction even after the reduction of endorsement from the donors.
Short and long video formats
Short formats are the most popular: YouTube Shorts (78%), Reels (78%) and caption videos (57%). Among the longer formats, video stories (63%), interviews (53%) and video reports (43%) are the most popular. Less often, newsrooms also work with livestreams and video reviews — 15% and 10%, respectively.
According to Andrii Boborykin, short forms dominate because of the relative ease of production, platform support through algorithms, and the ability to generate large numbers of views for reporting quickly. However, short formats are much less effective in monetization — they bring significantly less revenue per thousand views, compared to long formats, due to lower interest of advertisers. Short videos therefore have no significant prospects as a business model.
Documentary
Among products created by the local media, the percentage of documentary films has increased. Within the framework of last year's monitoring, only one example of a documentary was found, and this year, 6 different newsrooms reported that they were producing documentaries. Andrii Dikhtiarenko also associates this growth with targeted support for video production, because the availability of high-quality equipment allows the teams to expand the variety of their video products. As a result, it is also an opportunity for newsrooms to step out of the daily content production pipeline and work on a long-term project that can both explore a particular topic in greater depth and positively impact the media's image and brand.
Footage in video production
Today, there is still a shortage of qualified staff dedicated to video and not distracted by other tasks. Delegating video production to a separate department or specialist has not changed much over the past year, according to those surveyed.
68% of newsrooms have employees to work solely on the video content. At the same time, most of them have full-time video specialists, and about a third of them use the services of freelancers. Notably, some teams use both full-time employees and freelancers for different types of video projects. For example, short formats for social media are created by SMM managers or journalists, while long YouTube videos (or stories) are commissioned from freelancers.
In some outlets, separate teams are set up to work on videos. So journalists and videographers often work together. The position of "videographer" implies the following: cameraman, video director, editor, photographer. We have combined all these answers because one person often films and edits the videos.
The second most common combination of people working together on video production is the SMM manager + other employee within the newsroom. For example, a correspondent, photographer or video director may film a video and the SMM specialist will edit and distribute it. It is interesting that quite often, the SMM manager is engaged in video production. This division of responsibility is employed by 12% of the media surveyed.
Of those newsrooms with dedicated video format specialists, only 5 out of 41 (12%) reported having a dedicated multimedia department under the control of a video editor (or YouTube channel editor).
32% of newsrooms do not have separate employees who deal exclusively with videos. In such media, journalists, correspondents, and editors are mostly responsible for the video production. 2 teams also indicated that video production is done by journalists who have completed special courses (shooting and editing skills, mobile journalism technique — MoJo).
Other Formats
Visual types of content are in demand, namely photo reports (80%) and infographics (50%). The media also try to maintain two-way communication with the audience through polls/voting (60%) and memes (23%) on social media.
Apart from that, we'd like to mention podcasts. The number of newsrooms that create this type of content has grown from 14% in 2023 to 20% in 2024.
Despite some interest in creating podcasts, experts are a little skeptical about this format. For example, Andrii Dikhtiarenko believes that the development of podcasts as a separate audio format has limited prospects in Ukrainian local media due to the specifics of content consumption by the local audiences. Unlike Western countries, where podcasts organically fit into everyday practices (for example, listening during long commutes), this use case is not typical in Ukrainian regions.
More promising, he says, is the development of a hybrid format — video podcasts on YouTube that combine the best of audio and video. This format has several advantages:
the ability to both listen to and watch content;
additional emotional component through visual contact;
no need to install separate applications;
using a platform that is already familiar to the audience.
The conservatism of Ukrainian audiences in using new platforms and their habit of consuming content via YouTube is taken into account in this approach.
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Ukrainians are quite conservative: if they have an application or platform installed, they would use it. And YouTube is great for this — if people are already watching and listening to something on this platform, they will continue to use it.
Andrii Dikhtiarenko, research expert
Social media
88% of newsrooms produce tailor-made content for social media. The vast majority of media adapt content for distribution via Facebook (85%), Instagram (68%), and Telegram (62%). Compared to last year, content adaptation for Instagram and Telegram decreased by 17% and 11% respectively. Almost a third of the media outlets distribute content through YouTube (30%) and TikTok (23%). Less often, people also work with Viber and Twitter (X).
Content adaptation for social media can be divided into five main categories:
Visual. Stories are often transformed into a picture, an infographic, or a series of pictures ("carousel"). Among all content adaptation options, the most popular is the production of stories with a link to the whole material — such stories are used by 77% of the surveyed media.
Text. Adaptation of text stories is the next most common approach among the media surveyed. Most of the stories are posted in a shortened form (63%) on social media, or generally highlighting only some short quotes of the protagonists of stories (38%), and adding the link to the full material. Less often, social media posts expand the material to include a headline, basic information, and additional information.
Video Slightly less than half of the surveyed media outlets tell stories through caption videos. Short Reel videos are used as an alternative. Only 17% of media share videos of journalists reading the text on their social media pages.
Interactive. 28% use an interactive component, namely polling the audience using social media.
Audio. One newsroom converts text stories into audio format that is later published in Telegram.
Innovations and plans for the future
22% of teams did not introduce new formats during 2024. Other media have tried to experiment with what's new:
Video formats. The new formats are dominated by short videos, namely YouTube Shorts (32%), Reels (32%), caption videos(20%). Longer videos were released with less intensity — 10% of the media outlets created their first video reports, and 8% worked on documentaries.
Text formats. 15% of newsrooms began to actively work on investigations, 12% of the media — on analytics and opinion pieces (blogs).
Audio formats. 15% launched podcasts
Other. Digests (10%) and polls (10%) also appeared among the new formats.
Demonstrating stability and commitment to current media strategy, the majority of respondents (82%) do not plan to abandon any format.
At the same time, some respondents expressed their intention to partially or completely abandon certain formats. Here are the categories that might be "dismissed":
Stories on social media because of their low reach.
News, by rejecting standard rewrites from the press services of authorities and law enforcement officials. The team's plan to leave exclusively high-profile news
items that will have an additional impact on the audience. In other cases, the message is taken as an opportunity for information, and the authentic story is built from it.
Some respondents also expressed intentions to eliminate types of content listed below:
complex investigations due to lack of reader interest and potential threats from officials;
video content, given that the cameramen might be mobilized;
polls and votes due to the complicated political situation in the occupied territories; since the primary audience of these media is living under occupation, it is dangerous to leave any trace;
printed newspapers;
historical video project due to lack of funding;
an interview with a national expert and a podcast.
In the future, 61% of newsrooms plan to work more on short video formats (Shorts, Reels, caption videos), and 52% on longer video formats (stories, reports, interviews, investigations).
There is still a high interest in investigations (35%), reports (22%) and analytics (18%). Long reads also remain at the top of the list (18%).
Meanwhile, interest in news and interviews has increased significantly over the past year. If in 2024 only 5% of the media wanted to develop these formats, this year there are already about 18% of them. On the other hand, media interest in podcasts has declined significantly. In 2024, just over a third of media planned to launch their own podcasts, while today only 15% of respondents say they plan to get involved in this audio format.
Content quality
We asked media managers to independently assess the quality of the content produced by their newsrooms. Indeed, 44% of those surveyed believe that their media produce high quality information products that fully meet their expectations and strategic plans for 2024. Managers attribute the high results to the uniqueness of content and strict adherence to journalistic standards. Meanwhile, some respondents stress that this is what makes them unique:
they focus only on local content;
they broadcast verified content about the occupation because they can verify information from the temporarily occupied territories.
On the other hand, 56% say their newsrooms are struggling and need to improve, either in general or in specific formats and genres. Specifically, they want to improve news content and learn how to work more effectively with multimedia formats for social media (repackaging content into short videos) and websites.
On average, these respondents rate strategic plan implementation at 70%. More than half of those surveyed cited the main reason for failing to implement the strategic plan fully is a lack of professional staff. Some teams have experienced layoffs because of mobilization, and new staff are not yet experienced enough. A small team cannot cope with all the tasks, so either the quality or the quantity of media products suffers. 45% of respondents said that their teams do not have enough time to spend on processing materials to a high quality standard.
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The quality of the content has deteriorated because we started to engage beyond text and video, even though the number of people hasn't changed much. Cutting back where we could.
Newsroom from the Center
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Due to staffing issues this year, the quality and quantity of content does not match the strategy as much as we would like. I would rate it 7 out of 10.
Newsroom from the West
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...the new hires are not experienced enough. When an experienced employee is involved in the work on the content, the quality is top-notch, but they cannot be involved in the production of every piece of content.
Newsroom from the South
According to media managers themselves, their newsrooms lack technical support (38%) and funding (12%) to improve the quality of the content. Among other problems: limited access to experts and exclusive information (23%), lack of ideas and creativity (17%), as well as poor feedback from the audience (12%). They single-handedly pointed out the following shortcomings in the work of the media outlet:
limited access to respondents due to a security factor;
limited editorial freedom.
Editorial policies
For 3 years, there has been a steady increase in the number of media that have a written editorial policy. In 2022, there were 77% of such media, but in 2023 this figure increased to 86%, demonstrating a positive trend. By 2024, the share of media with a clearly defined editorial policies reached 93%, which indicates an increase in standards of work in the media sector and an increase in attention to transparency and professionalism. However, this may also be due to the external influence of services and donors. Andrii Dikhtiarenko says that it is much more attractive to provide assistance or support to the media as an institution with a written policy than to work haphazardly.
Pressure on journalists
Analysis of data for the last 3 years indicates a steady trend of pressure on local media in Ukraine. The first year of the full-scale war was the most unstable — then 43% of respondents reported that they were working under pressure. In 2023, 33% responded the same, and in 2024 this figure was 35%, showing a slight increase. While the overall level of pressure has remained the same, its forms have diversified. The number of cases with complex effects on the media has increased.
We observe that local authorities and individual politicians remain the most active subjects of pressure on local media during the 3 years analyzed. In this year's survey, 22% of respondents reported this. Pressure manifests itself in various forms: from limiting information to direct influence on the team. The very first way pressure manifests itself is the refusal of the authorities to respond to official requests and provide any comments to journalists, and sometimes also obstruction of access to local council meetings. In the case when the newsroom covers some "inconvenient" topics, state institutions or individual politicians file lawsuits in court. For example, 8% of newsroom respondents reported being the subject of legal action, most often for rebuttal and removal of journalistic material. Direct threats are also a relatively common form of pressure from the authorities and politicians — 10% of respondents said this.
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Moderate, usual for us, indirect pressure due to the proximity of the authorities, refusing to comment, sending "greetings" from the authorities' circle that they do not like the materials; they consider any criticism to be a biased attempt to attack officials personally.
Newsroom from the South
Law enforcement agencies and the Security Service of Ukraine ranked second in terms of frequency of mention. This year, 7% of respondents were subject to pressure from them. It was also reported that law enforcement agencies and the security service try to interfere in editorial policy, limit the media's ability to cover certain topics, such as the activities of the Military Administration Service, and, less frequently, detain and exert pressure during interrogations.
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We've received threats from local authorities, which we see as abusing power and interfering with editorial policy.
Newsroom from the Center
A separate category of pressure is associated with the activities of the occupation authorities (3 mentions). Journalists reported on searches in the homes of relatives in the temporarily occupied territories, on attempts to discredit them and on pressure on their property there.
Also, 3 offices reported cyber attacks on their media, including DDoS attacks, phishing, and hacking attempts.
To a lesser extent, but there is also pressure from business (1 mention), which manifests itself through lawsuits from representatives of business affiliated with the authorities. One survey participant also mentioned the pressure from readers in social media in the form of organized harassment (cancel mob). It is important to note that different forms of pressure often overlap and can be applied simultaneously, creating a complex impact on the work of local media journalists.

Photo: Kordon.Media. The village was damaged by the KABs. Journalists working in the hot phase, Velyka Pysarivka, 2024.